A London screen agency for working talent

You didn’t come into this industry for the admin. The set called you.

We represent actors, writers, directors, producers, and crew — and our entire ecosystem is built to keep you close to the work you love, and ready for the next opportunity across UK film and television.

Apply for representation Hire talent

ActorsScripts, auditions, the next casting room
LiteraryWriters, directors, producers
CrewCamera, design, sound, post

Pick your path

One agency. Three very different reasons to call.

Whether you’re a professional actor, a film crew member, a director, a producer, or a storyteller in any form — the door that fits the work you actually do is the one to open. So pick yours, and read the page written for you.

Path 01 · Actors

For actors stepping into the next character — and the next casting room.

Access to new scripts, auditions, and casting opportunities — with the honest note after every tape.

Open actor path →

Path 02 · Literary

For writers, directors, and producers building the work from the page up.

Stories in front of decision-makers, the right teams, the right partners, and the long arc of a creative career.

Open literary path →

Path 03 · Crew

For crew who want production companies to come looking.

Camera, design, sound, post — stay discoverable to line producers, production managers, and the people booking the next job.

Open crew path →

Casting or crewing a production? Send the role, the project, the dates, and the kind of shortlist you need. We’ll come back with names.

Brief the agency →

The pull of the set

The lights warm up. The slate rises. A production begins to breathe.

For actors, it’s the moment you step into character and feel the world shift around you. For directors, it’s the quiet before “Action,” when every choice is about to come alive. For producers, it’s the hum of a team you’ve assembled, ready to build something from nothing. For crew, it’s the familiar weight of the gear, the glow of the monitor, the choreography of a working floor. These are the moments that keep you coming back — and everything we do is built to keep you close to them.

Read the agency story →

More than representation

The heartbeat of your career — and we’re here to keep it alive.

This is more than availability. It’s more than a name on a list. Our partners have produced, shot, directed, and performed — so the way we read a tape, send out a script, or shape a shortlist comes from the same floor you’re trying to step back onto.

150+leadership credits across film, TV, documentary, commercial and branded work
48htypical first response window for production enquiries
3routes into the agency: actors, literary talent, and crew

Productions, broadcasters, studios & brands

Where the work has landed.

A selection of the broadcasters, studios, drama schools, and brands the agency, the roster, and the leadership team have worked with across film, television, and commercial productions.

How it works

Not buried in forms. Not lost in admin. Just the next useful move.

From first message to first booking, here is exactly what happens when you reach out — whether you’re applying for representation or briefing the agency for a production.

01
Apply or enquire.

Talent use the application route. Productions use the hire route. Each one asks for the context that actually matters.
02
A person reads it.

No silent pile. No automated screen. The team weighs your material against the roster, the market, and the work that’s live right now.
03
Materials & a meeting.

Talent get a real review. Productions get a brief-led shortlist. Either way, the conversation becomes specific.
04
Decision & next steps.

A considered yes, no, or not yet — with reasons. When it’s a yes, representation or production support starts moving the same week.

The team

Four working screen professionals. Not four managers with a phone.

Between them, the partners at MAM carry over 150 credits, decades of producing, drama-school and method training, and current on-camera work. They read your tape the way the people hiring you read it — because they’ve been on the other side of the camera too.

Founding Partner · Principal Agent · Cinematographer · Producer · Writer · Director

Owen A. Smith

Thirty-plus years in screen production with over 150 credits across feature film, television, documentary, commercials, and branded work.

Founder & Group CEO MovieLux Entertainment Holdings Ltd. Before the agency, Owen worked as a broadcast television camera operator, and Director of Photography / Cinematographer he went on to producing and directing as well as screenwriting across drama, documentary, sport, and commercial work. He came into the industry through Graphic Design studying at Epsom School of Art & Design (now known as the University for the Creative Arts) and went on to work for the London advertising studio Adam B Colour Services. Where he started as a runner/messenger before he became a studio technician working on campaigns for clients such as Ogilvy & Mather, Saatchi & Saatchi, and McCann Erickson. Owen is also a former Royal Air Force College Cranwell graduate with a Queen’s Commission; he served six years reaching the rank of Flight Lieutenant in command of 70 personnel. That discipline, and a working cinematographer’s instinct for what reads on camera, shapes how he represents talent today.

Partner · Acting & Talent Agent · Actress · Producer

Jane Jackson

Eleven years in film acting, eleven in representation. A performer’s view of how acting careers actually get built.

Trained as an actress on the Spotlight-accredited method acting course at the Brian Timoney Method Acting Studio in London. Jane came to representation through her own work on set. Which means every casting conversation, every self-tape note, and every long-arc career plan runs through someone who has stood on the other side of the camera.

Creative Partner · Award-winning Producer & Filmmaker

Linzy Attenborough

Two decades producing across Bollywood features, British independent cinema, commercials, television, and music video.

Trained as an actor at UK drama schools before moving into production. Founded Thought Juice Films in 2005, beginning with corporate work and expanding into music videos, commercials, and television. Served as 1st AD on twelve features including On The Line and Exodus, managed the Disney · Star Wars · Lucasfilm UK toy advertising campaign, and was Production Manager on Chandu Champion. Producer on the micro-budget features Wolf Garden and The Alice Paradox. Her award-winning short films stream on Amazon Prime.

Creative Partner · Screenwriter · Producer · Editor

Bruce Edgar

Two decades spanning editing, post-production, outside broadcast, film distribution, documentary, and independent feature production, with award-recognised work across international film festivals. After graduating from Ravensbourne with a degree in Editing and Post Production, he began his media career working in outside broadcast with BBC Sport, followed by EVS Clean Operator work with BT Sport through Timeline TV.

Two doors. Pick yours.

Stay close to the work you love — or brief the people who can deliver it.

If you’re looking for representation, apply. If you’re casting or crewing a production, send the brief. Either way, a person on the team reads every message and replies personally. The set is where the work becomes real — pick the door that gets you back to it.